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Glass Notebook is on-going series of still life images that uses the logic space of poetry to explore landscapes of emotion and memory, balance in contradiction, and a sense of preciousness in the ordinary.
Inspired by the poem titled “O May I Join the Choir Invisible” by George Elliot, this is an ongoing project that explores the connection between loss, land, and legacy. In this body of work, each image is a metaphor for a song from my own reimagined choir that is both grounded in the physicality of places and things, and suspended in the ephemeral world of memory and emotion that they evoke.
Largely inspired by the 17th century still life paintings of Jean Baptiste Chardin, Life InStilled explores the space between past and present by connecting photography and painting.
When living with a someone who is being taken from this world by dementia, one can only sit back and watch as a once active and agile mind slowly fades. Memory becomes fragmented and often morphs into night-mare. Passing of mind was made using a collection of battered vintage dolls from the family attic, these images are based on the experience of caring for my grandmother after she was diagnosed with dementia.
Originally shown as a hand-made artist book, After the Summer looks at the cycles of nature as a metaphor for loss. Each image is titled with the line of poetry that accompanied them in the book.
The Book of Entropy is an exploration of living, dying, and the space in between. The project address universal issues surrounding love and loss, joy and grief, the disintegration of mind and body, and the resilience of the human spirit.
